That McCarthy plays Israel with the fearful distrust of an abused dog creates a distinct relationship between viewer and subject: she’s a protagonist that begs to be sympathized with but doesn’t command it.
It’s tempting to believe that the post-Weinstein revelations would yield semi-immediate results, given the fervor with which the court of public opinion rendered their verdict against those men. But then a film like “The Wife” comes along.
Deservedly or not, Hereditary has claimed its place among other well-received horror films of the last year or so that can be classified as genre-bending horror. Get Out functioned as social […]
Disobedience follows Ronit Krushka (Rachel Weiss) from New York back to her home town in England after learning that her father, a renowned and beloved rabbi in an orthodox Jewish community, […]